Anne Finch, Countess of Winchilsea
Anne Finch, Countess of Winchilsea
Biography:
Anne Kingsmill Finch is significant as one of the earliest published women
poets in England. {1}
She is also delightful! Her poetry sparkles with witty commentary and playful
humour. She writes with clear conviction of what she sees and experiences. Her
voice is direct, personal and immediate. It has been suggested that she may be
the best woman poet in England prior to the nineteenth century (McGovern,
1992).
An Uncertain Childhood:
Anne Kingsmill was born in April, 1661, the third child of Sir William
Kingsmill and Anne Haslewood. Sir William died only 5 months after Anne's
birth. Sir William Kingsmill's will was notable in the emphasis it placed on
supporting and educating his daughters as well as his son. Rents from the
estate were set aside for this purpose. He also left his daughters 2000 pounds
(Bridget) and 1500 pounds (Anne), to be paid with interest to them personally
on their marriage or at age 21.
Anne Haslewood remarried in 1662, to Sir Thomas Ogle, and bore Anne's
half-sister Dorothy Ogle. In 1664, shortly before her death, Anne Haslewood
wrote a will giving all control of the estate to Sir Thomas Ogle. Her will was
challenged in a Court of Chancery law-suit, brought by the children's uncle,
William Haslewood, and 3 other relatives, on behalf of the children. The court decided
against Thomas Ogle. William Kingsmill went to live with his uncle William
Haslewood, while Anne and Bridget went to live with their grandmother, Bridget,
Lady Kingsmill.
Lady Kingsmill was, by all accounts, a shrewd and independent woman. In
1670-71, she brought a second Chancery suit against William Haslewood and the
other executors, demanding a share in the education and support monies for Anne
and Bridget. The court formally split custody of the children (and an allowance
for their support) between William Haslewood and Lady Kingsmill. When she
became ill and died in 1672, the girls rejoined their brother under William
Haslewood's care, and remained with his family until his death in 1682.
There, the children lived as part of a large extended family, interacting
with other families in the district. The family was well-educated and
progessive about education for women, and the Kingsmill girls may have received
formal as well as informal education. They were encouraged to be aware of a
wide range of topics and issues. Anne Kingsmill grew up familiar with the
classics, Greek and Roman mythology, the Bible, French (sufficient for
translation), Italian (at least to a speaking level), history, poetry and
drama.
The Stuart Court:
The Kingsmills and Haslewoods were strong Anglicans and devoted supporters
of the Stuart royalty. In 1682, Anne Kingsmill went to St. James Palace to
become a Maid of Honour to Mary of Modena (wife of James, Duke of York, who
later became King James II.) Anne Kingsmill enjoyed the intellectual
stimulation of the 'Court of Wits', in spite of the Wits' frequent antipathy
towards women. Seeing the hostile treatment accorded to Anne
Killigrew, the 'Versifying Maid of Honour', who she may have known, Anne
Kingsmill kept her own early attempts at poetry a secret. She became close to
Mary of Modena, reflecting on their relationship and her time at Court years
later in the memorial poem "On
the Death of the Queen" .
Anne Kingsmill also met her future husband, Heneage Finch, at Court. He was
a courtier and soldier, appointed Groom of the Bedchamber to James, Duke of
York, in 1683. Four years older than Anne, he had, like her, been raised in a
family with strong Royalist connections. It was also a family with a tradition
of strong women: Heneage's grandmother Elizabeth was created Countess of
Winchilsea in her own right in 1628, a title that was remaindered to her male
heirs. (As the second son of the second earl, Heneage was not in the direct
line for inheritance of the title. )
Although she initially resisted the idea, Anne married Heneage Finch on May
15th, 1684. It was to be a lasting and very happy marriage. In "A
Letter to Dafnis: April 2d 1685" and other love poems to her husband,
Anne Finch celebrated their passionate and playful intimacy, and the joy and
comfort that she found in their relationship. In doing so, she significantly
departed from the usual attitudes and conventions of the time, as her later
poem "To
Mr. F. Now Earl of W." attests. She also criticized the misogyny
prevalent at the time: satirical criticism of social roles and restrictions
appears often in her work. Luckily, Heneage encouraged and actively supported
Anne's writing. It was a rewarding marriage for them both. Thirty-nine years
later, Heneage still noted the anniversary of their wedding in his private
journal as "Most blessed day."
Anne resigned her position at court on her marriage. Heneage retained his
appointment there, and the Finches continued to be closely involved with court
life. Heneage Finch was one of those who carried the Queen's canopy during the
1685 Coronation of James II and Mary of Modena, at the Queen's special request.
The Bloodless Revolution:
England was a country still in turmoil over deeply felt political and
religious issues. There had been years of contention between 'Royalists' and
'Roundheads', during the English Civil War and the subsequent Interregnum.
Oliver Cromwell had died in 1658, and Parliament had restored Charles II to the
throne in 1660. However, Roman Catholics were still politically and religiously
disempowered. James II's conversion to Roman Catholicism was viewed with great
dismay. His promotion of the church led to active opposition from Tory and Whig
Parliamentary leaders.
When Parliament offered William of Orange the crown of England in the
"Bloodless Revolution" of 1688, oaths of allegiance were required of
both clergy and lay persons. Heneage Finch refused to take oath to the new
Monarchs. He and Anne were prominent among the "Nonjurors" {2}
who considered their previous oaths morally binding and unchangeable. They
risked harassment, fines and imprisonment for their loyalty to the Stuart
kings. Safer away from London, they stayed in the country, dependent on the
hospitality of friends and relatives. In April 1690, Heneage was arrested on
charges of Jacobitism for attempting to join James II in France. Jacobites and
Nonjurors were being severely treated and harshly punished in many cases. The
period from April until November, when the case was finally discharged, was a
time of separation and great anxiety for the Finches. Heneage, in London,
prepared his defense. Anne, in Kent, continued to write, in part to combat
recurrent and sometimes severe bouts of depression (cf. "Ardelia
to Melancholy"). Poems written at this time reflect on both political
and personal themes, and are generally sadder and more ironic than her previous
work (cf. "The
Consolation").
Near the end of 1690, the Finches were invited to live at Eastwell, the home
of Charles Finch, Earl of Winchilsea (Heneage's elder brother's son). Eastwell
was beautiful, peaceful, and secure. The Earl was young, not yet married, {3}
and already noted as a patron of the arts. Anne received encouragement and
support from both her husband and the Earl for her writing. Heneage's support
for Anne was practical as well as emotional: he began compiling an octavo
manuscript of 56 of her poems, writing them out by hand. (Anne's handwriting
was apparently difficult to read.) He also made manuscript corrections for her:
for example, changing Anne's literary name from 'Areta' to 'Ardelia' {4}in
all the poems. Later, around 1694-5, he transcribed her work into a larger
Folio manuscript. The years at Eastwell, and later at Wye Cottage nearby, were
peaceful and productive, albeit secluded. Many of Anne's poems from this time
celebrate the friendship and support of her patrons and female friends, such as
the Countess of Thanet ('Arminda' in "The
Petition for an Absolute Retreat"). They also reflect her enjoyment of
and sensitivity to the beauty of the environment in which she lived (cf. "A
Nocturnal Reverie").
Returning from Exile:
While their time in the country had been productive for Anne, the Finches
also found it lonely and isolated at times. In the shifting political climate
of the early 1700's, they began to hope for a return to the capital. James II's
death in 1701 was followed in 1702 by the death of William III, and the
succession of Queen Anne, daughter of James II, to the throne. The general
political climate had improved; and Queen Anne was more acceptable as a
sovereign than William, to the Finches. In 1701, 1705, and 1710, Heneage Finch
stood for parliament. (He did not win a seat.) By 1710-11, they had acquired a
house in London.
There, Anne Finch received increasing encouragement to publish her work
openly under her own name. Her admirers and friends included Jonathan Swift and
Alexander Pope, both of whom encouraged her to write and publish. As early as
1691, some of her work had been published anonymously in the form of songs. "The
Spleen" had been published anonymously in 1701 and was also
well-received. (It was to be the most popular of her poems during her lifetime:
a description of and reflection upon depression.) Anne was hesitant about publishing
her work, with reason, given the social and political climate of the day. "The
Introduction" privately circulated with her octavo manuscript,
discusses attitudes towards women poets that that time. However, in 1713, Miscellany
Poems, on Several Occasions appeared in print. It contained 86
poems, and her second play, Aristomenes:
Or, The Royal Shepherd. While the first printing of the cover page
stated it simply to be "Written by a Lady", Anne, Countess of
Winchilsea was credited as the author on further printings..
The Countess of Winchilsea:
On August 4, 1712, Charles Finch, Earl of Winchilsea, had died unexpectedly,
and without children. His uncle Heneage Finch became the Earl of Winchilsea,
and Anne Finch, the Countess of Winchilsea. Unfortunately, the Finches
inherited financial problems and legal battles along with the title. These were
to be a source of strain and anxiety for years: from the opening of the first
Chancery Court trial of July 9, 1713, to the final settlement of February 19th,
1720 in Heneage's favour.
Court politics continued to be a source of distress and possible danger. In
1714, Queen Anne died and was succeeded by George I. A Whig government, hostile
to the Jacobite cause, was reinstated. In 1715, the Jacobite rebellion in
Scotland further increased political tensions. Matthew Prior, a friend of the
Finches, was imprisoned. The Finches, well known "Nonjuror" {2}
members of the Church of England, worried about their own safety.
In 1715, Anne Finch became severely ill. She had battled depression for
years and was now in failing health. Increasingly, her poetry reflected her
religious beliefs and concerns, as in "A
Suplication for the joys of Heaven". One of her last poems "A
Contemplation" speaks movingly about her life and beliefs. She died in
London on August 5, 1720, and was taken to Eastwell to be buried, by her own
request. Her husband transcribed an eloquent obituary to her which read, in
part,
"To draw her Ladyship's just Character, requires a
masterly Pen like her own (She being a fine Writer, and an excellent Poet); we
shall only presume to say, she was the most faithful Servant to her Royal
Mistress, the best Wife to her Noble Lord, and in every other Relation, publick
and private, so illustrious an Example of such extraordinary Endowments, both
of Body and Mind, that the Court of England never bred a more accomplished
Lady, nor the Church of England a better Christian. "
Selected Poems:
Miscellany
Poems, on Several Occasions was the only major collection of Anne
Finch's work to appear in her lifetime. The Poems of Anne, Countess of
Winchilsea edited by Myra Reynolds in 1903, contained both the poems of
1713, and various others from manuscript sources, and has been the recognized
collection of her work for many years. Only recently has The Wellesley
Manuscript come to light, with 53 previously unpublished poems, many
written in the last two decades of Anne Finch's life.
Miscellany Poems, on Several Occasions: Written by a Lady (1713)
From The Poems of Anne, Countess of Winchilsea (1903)
- "The Introduction"
- " A Letter to Dafnis: April 2d 1685"
- "An Invitation to Dafnis"
- "The Bird and the Arras"
- "Ardelia to Melancholy"
- "Consolation"
- "The Unequal Fetters"
- "The Appology"
- "On Myselfe"
From The Wellesley Manuscript
- " An Apology for my fearfull temper"
- "On the Death of the Queen"
- " A Suplication for the joys of Heaven"
- "A Contemplation"
Notes:
- Very few collections of poetry were published by women in England before Anne Finch (1661-1720)'s volume in 1713. Amelia Bassano Lanyer (1569-1645) published the poetical Salve Deus Rex Judaeorum (Hail, God, King of the Jews) in 1611. Mary, Lady Chudleigh (1656-1710) published The Ladies Defence: or the Bride-Woman's Counsellor answered: A Poem. In a Dialogue Between Sir John Brute, Sir William Loveall, Melissa, and a Parson (1701) and Poems on Several Occasions (1703). Sarah Egerton (1670-1723) published her collected Poems (1703, 1706). Some might also include Anne Bradstreet (1612-1672), although she is generally regarded as an American poet, since she emigrated there from England at the age of eighteen. Her brother-in-law surreptitiously took her manuscript to England and had it printed without her knowledge as The Tenth Muse (London: Stephen Bowtell, 1650).
- While "Jacobite" and "Nonjuror" were not synonymous, the refusal to take oath to a new king, because one considered one's previous oath to be inviolable, had profound political implications. There was also a serious division in the Anglican church between Nonjurors and those who changed their oaths. Between 300 and 400 Anglican clergy, and an unknown number of laity, were suspended from office and excluded from public life for nonjuring.
- In 1692, Charles Finch, Earl of Winchilsea, married Sarah Nourse.
- The name 'Ardelia' may have been chosen partly in tribute to Katherine Philips, known as 'The Matchless Orinda'. Her poem "A retir'd friendship to Ardelia" is a poem on retirement from the world.
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